“ The realisation that she could not have a baby for the man she loved brought tears continuously to her eyes. What the, was the essence of living and loving if she coukd not have a baby for the only love she had ever had.”
“The telephone, Tony noted as he dropped the red biro and picked up the blue one, was a very rude instrument. It was the one thing without the simple courtesy of asking for permission before intruding on someone’s discusssions or thoughts.”
I guess the first quote explains certain desperate baby mama sentiments. While the second one echoes a truth still relevant now in the 2000s.
I loved the time setting of the novel. From the glorious civil servant, greater value of small denominations of the naira to Calypso- Nat Cole music references. I love! The author’s language, pace, point of view and the setting all depict the Nigerian 80s. A backdrop of a intriguing story of infidelity, fun, suspence, lust and misguided love. I had purchased it after I saw a picture of it on #throwbackthursday Alaroro Books instagram feed.
What I did not like was how the first 100 pages of the plot line focused on Tony’s affairs and little on his wife, Lillian’s own. The synposis promised me a damning tale of wife’s extramarital affair. I found the actions and thoughts of certain minor characters funny, irritating, often shocking and sometimes offensive. ‘Remember it’s a different era’, I’d murmur to calm my inner semi-militant feminist. This made me grateful for the times I live in. The imaginative metaphors, similes and expresssions were unique and graphic. For example, “when he stopped talking, silence hung in the room like a wet blanket, dampening the atmosphere. The suspence was delightful. But the end of the plotline annoyed me! I felt the end of the novel was rushed. An unrepentant cheating husband didnt end the marriage but his wife’s first affair leds to an unfortunate event. Come on!