africanliterature

Stories, series, events and books reviews that are of the African Literature genre.

CHILDREN OF BLOOD AND BONE

OCHILDREN OF BLOOD AND BONE BY TOMI ADEYEMI

“I teach you to be warriors in the garden so you will never be gardeners in the war. I give you the strength to fight, but you all must learn the strength of restraint.”

“When your opponent has no honor, you must fight in different ways, smarter ways.”

Many bookstagram reviews of this international bestselling YA Fantasy all put the first quote without its accompanying second sentence on strength. This sentence cautions restraint, without it things can go wrong. Gosh! I’m enchanted by this novel. The last time I read fantasy that resonated this much with me was with Georgina Kincaid and her Succubus series by Richelle Mead and Carter and Sade Kane of the Kane Chronicles by Rick Riordan  I dropped reading A Thousand Beginnings and Endings and Meet Cute (Young Adult Fiction collections) to read Children of Blood and Bone during the last week of July. I’d wanted to read some different after a long stressful day.

If you peer closely you’ll see small drops of ogogoro in my mini mug. I sipped that shot like Zelie in celebration of the victorious last sentences.

A world of magical wonders and brutal realities..Orisha. The narrative introduces one to the new Orisha where magic is missing and Zelie’s biggest worries include passing initiation and taxes. The old Orisha had Majis who were white-haired, Orisha Mama’s magic blessed, children of blood and bone. It’s amazing the fantasy woven around the Orisha gods was inspired by Yoruba deities. I kept nodding to the various magical powers each maji clan possessed from their sister goddesses and brother gods. Reapers who summoned souls, Tiders and Yemoja, Burners who blazed fiery, Healers and Cancer, and Seers. When various characters touch with a magic scroll it sparks magic in Divîners and Kosidans alike. You can take a quiz to find out which clan you belong to here.

This heroine’s narrations are shadowed by fearful memories of her mother’s execution and past beauties of magical Orisha. I was always pulled away from these to her meagre existence. Yet Zelie had a strong drive for survival and freedom. Zelie is impulsive, silver-eyed beauty, gifted Reaper, smart, seasoned trader, skilled fighter, leader and compassionate heroine. Amari and Inan, both children of the tyrant king narrate the plot with Zelie on a quest to return magic to Orisha. One of the beautiful things about these characters describing the plot and other characters were their unique personas. Growth of Zelie, Amari and Inan occurred slowly throughout the novel. Amari, the scared Princess grew bravely to be the Lionaire. Inan, Little Prince who sacrificed everything to be everything his cruel father wanted. He struggled with his sense of duty and being himself. Tzain, Mama Agba, Kaea, Nailah, Zu, Baba, Roën and other minor characters play huge supporting roles in this tumultuous quest. I was sad that Amari and Tzain’s budding romance was halted while Zelie and Inan’s passionate one was fervently frustrated. But I remain a hopeful romantic while waiting for a sequel. 

Children of Blood and Bone mirrors a lot of real life issues we face in our societies like police brutality, racial or ethnic discrimination, gradual loss of culture, poverty and political tyranny. This mirror holds the themes and lessons one can learn from the novel. It’s robust plot was hijacked by plot twists, suspense and intrigue. CBB is written in simple English with Yoruba phrases and coined terms. Irony was one of literary techniques expertly utilised in this fantasy. Flashback and character dialogues were used to fill in the plot. Simile and imagery are two literary techniques artistically employed in this novel, (eg. the light’s voice is smooth like silk, soft like velvet. It wraps itself around my form, drawing me to it’s warmth). I found it ironic the King destroyed other families and his children while avenging his dead family. Another major irony was that Zelie hungered for change but was afraid of the possibilities magic could create. Out of the Eighty-five chapters my favourite chapter was Fifty-seven (plus the Epilogue of course). This chapter’s festivities and pet Lionaire Nailah inspired by book photo. Coincidentally it’s the author’s favourite chapter.

Landscape and animals in Orisha are nothing like anything I’ve read. Blue whisked bee-eaters, large panthonaires, snow leopanaires, stalking hyenaire. A map of Orisha is presented before the first chapter began. I enjoyed that the plot took us around that map and Orisha’s interesting landscape. It’s a highly recommended African Fantasy and YA Fiction book. For its plot twists resolutions and unexpected end of the last battle, four and a half fireworks! Did they succeed in bringing back magic? Did tyrant King Saran and his reign end? You’ll have to read to find out. To see more gorgeous book pictures or fan art click #childrenofbloodandbone.

 

More Info..

Tomi Adeyemi is a Nigerian American writer and creative writing coach. Children of Blood and Bone is her first novel. Published in 2017 by Henry Holt and Company, a trademark of Macmillian Publishing Group LLC.

*this is a Flashback Friday Fiction feature review.*

 

 

Advertisements

Chopping Board

On the chopping board of life stands sweet and lays sour ‎things. They are chopped, cut, diced and served up delicious with tangy bits. I mused about life as I continued typing my research paper. I could pause my music player to listen to your voice notes. All your voice notes. You see, I love voices, listening to their sultry, cheery or silken smoky tones‎.

On the chopping board of life we all lay here. Either dissected or being prepared to be prodded by tools ie. persons or experiences that bring out ourselves. ‎I pause Ella Fitzgerald infamous sensual jazz ballad, At Last. Then my right fingers play your voice note. While my left palm reached for my cold glass of pink yoghurt. Sweet and sour. Sour strawberry creaminess coat my curling tongue like a French kiss. Sweet, sweetness is your voice. The moment passed like how I missed making your acquaintance about ten times before I did a year ago.

A DJ turn table or photo editing app is what ‎life uses these days. Chopping up beats and mixing pulses of daily life. Cropping and feeding filtered gradients that gradually alter reality’s real. So I listen to Sufjan Stevens’ hollow singing thrown in after your voice like sour yoghurt sipped after chewing sweet, soft chocolate cake bits.

CHOP! the knife slices into the small brown circumference. ‎Like my excitement shorten night’s rest. CROPPED, ‎I now have another taste of life for myself.

YOU ARE NEAR YET YOU ARE FAR

YOU ARE NEAR YET YOU ARE FAR by NKIACHA ATEMNKENG

‘Travel between both Nigeria and Cameroon is supposed to be easy since citizens of both countries do not require entrance visas. However, the land route between the Cameroonian border town. Ebok and the Nigerian border town, Ikom is currently barricaded. Don’t ask why.’

‘You finally get jealous of the damn Sanja and feel like peeling it off your body and disappearing into the restroom. But if you peel it off just to pee, you will become naked and everybody at Ake will embark on a screaming spree. “Mad writer! Wahala dey for here o. Dr Dami, please bring that your mad bus. Carry y’im go. A man’s body is not a country!’

I finished reading this piece and the magazine it was published in, in June. Its incomplete review has sat in my draft since. In a bid to clear out my draft I’m published my thoughts about this second person travelogue. It makes me smile that the author’s first name sounds Igbo because of the irony the first paragraph presents. He began his non-fiction story stating many Nigerians drummed ‘you look and sound Nigerian’ into his Cameroonian ears. This was delightful reading this travelogue written by an African visiting Nigeria.

Halfway through this creative non-fiction piece I’d highlighted various honest paragraphs and comical sentences.  I just knew this is my favorite work from the Saraba Magazine: Issue 22-OPEN. This travelogue made me reminisce about my tour of Obudu, Ikom and Calabar in Cross River State. Where no one could answer my questions about why the Cameroonian border was closed. Or why people kept asking if I was Nigerian.

Apart from the humorous yet observant tone and ironic experiences of the narrator. Its the second person point of view used makes this read very compelling. Apart from the Literary Exchange Programme, he visits the Ake Arts and Literature Festival. Since I missed the ‘This F-Word’ themed fifth festival, his narration made me feel like I was there. I attended the sensational festival through his thoughts, reflections, dialogues and famous Sanja. His bravery in publishing a food review that didn’t crown Nigerian Jollof Rice ruler mirrors his candid appraisal of Nigeria-Cameroon relations. I felt near to this Douala boy, involved in his discussions about culture, literature, geography, politics. Yet I am far, far away in Lagos.

 

 

#INSTASTORY: BIBLIOPHAGIST

BIBLIOPHAGIST (n). a person who devours books.

‘I have been one this July babe’, my soft, stubby fingers type in thebookpeddlerng‘s picture comment section. The quick rapt-tap clicking sounds continue. ‘I devour delicious sentences of tantalizing plots for late night snacks’. The clicking sounds halt after a loud stamp of the Send button.

I noticed late night snacking reduced when I read to keep my insomniac mind entertained and drink water with lemon and cucumber slices.

‘Sounds delicious! *wink emoji’, thebookpeddlerng responds.

Continuing hours later with excitement.

‘Babe, they are. I’m currently in New Delhi, last night I was at Melbourne. Each bite takes me on a trip. *lustful sigh. I love books!’

‘That’s amazing! How can anyone not love books’ she rhetorically asks.

HOW? I could list answers but instead I filled the tiny heart shape beside her message with a red click. We bibliophagists hope to inspire none readers while shopping away our fear of running out of books to read.