Poetry chapbooks

Currently Reading: Fragments In A Closet by Daisy Odey

‘Through the eye of a gun, every man is a country..(Peacemaker)

I read poems from FRAGMENTS IN A CLOSET by Daisy Odey at Maitama Amusement Park yesterday.
I was under breezy trees, amidst bright flowers and in warm sunlight.

You hold the sun in your mouth,
and tell me the taste of light..(Tourist)

Do not be fooled
by their fragrance
they come with thorns.(Broke)

I was my mother’s daughter before I wore my father’s name.(Feminist)

I haven’t read from this chapbook since I left Kaduna some months back. Rereading poems help unearth new dimensions and treasures.

I’ve been in Abuja since last week for my Call to Bar Screening. As I type this I’m preparing to head out to the Supreme Court to continue the screening process. I carried this poetry chapbook with me. Hopefully, if I meet up with Daisy Odey today she will autograph this complimentary copy she gave me at its YELF Book Chat.

PEPPERSOUP AND POETRY

Cold winds bellow as the skies grow grey. Angry raindrops whip the earth. I spoon tender goat meat and spicy peppersoup through my shea buttered lips.

I’d spent hours learning how to spice and boil peppersoup for over a hundred persons. Afterwards, I lay my aching back under the duvet. Sniffing the intoxicating scent of a new book, I flip open poems highlighted by Shittu Fowora.

I’m taking my time sipping poetry and peppersoup.

YELF Literary Evening with Daisy Odey

August 31st, 2019 from past 4pm till 6pm under grey skies at Creativity Court (No. 21, Mallam Isa Hassan Road, Ungwan Dosa, Kaduna State), I enjoyed delightful poetry and conversations.

L-R: Shittu Fowora, Daisy Odey

Daisy Odey is a Nigerian poet and performer from Jos, Nigeria. Her poems have appeared in Aké Review, Kalahari Review, Enkare Review, Saraba Afridiaspora, Praxis Magazine’s International Women’s Day Anthology 2017, and other publications. She has performed poetry across Nigeria. She is also initiator/team lead Jos Poetry Slam (JSP) movement and cofounder, Custodians of African Literature (COAL). Connect with her on Instagram.

And so I’m asking.

I’m asking, where is heaven?

Heaven is where rainbows begin and end

in a river of glass

-Once Upon a Time performed by Daisy Odey

On Poetry and Writing by Daisy

  • Daisy says she doesn’t write in a place of intense emotion because she will have a jumble to come back to whenever. I’ve noticed this jumble with some of my story drafts. So I write, leave them and come back.
  • I don’t force a poem.
  • Writing doesn’t belong to Africans alone. If its dying, we are killing it. African writers give the pulse of their reality
  • Feminism is a verb and not a noun. “I was my mother’s daughter before I wore my father’s name.”Feminist, Fragments In A Closet
  • I write creative nonfiction, essays or short stories to explore new themes. Then, can I write these in poetry.
  • The only way to learn how to write is by writing. The only way to know what to write about is to read and read.

Tongues tied with grief forget the language of prayer.

Heavy hearts do not carry love.

Some questions are always hungry,

like:

“Is there a god worthy of war?”

Fragments, Fragments In a Closet

Book Chat and Spoken word

Shittu Fowora, the book chat convener, asked questions about writing, the chapbook’s themes and creativity. His questions gave Daisy the opportunity to give unique answers. He also talked about how drawn he was to the quote from Ben Okri (If you look too closely, everything breaks your heart) in Body Count. He asked her about the reoccurrence of Water and reference to Oshun in her chapbook. She said she simply wrote and later found out Oshun— Yoruba goddess of feminity, creativity, love– was connected to water.

Water saturates Odey’s text; water is in titles–“How to Make A River”, “Life Is Water”, “Falling for a River”–water is in the theme, subject matter, character, and narrative development, and of course, in the imagery.

-Hope Wabuke, from Preface.

Her favourite poem is Peacemaker. She performed a version different from that in the book. I loved it! Check out Karatu Books to buy this book and other interesting books.

Besides, a part of Fragments she read out. Other poems she performed weren’t from her new chapbook. Daisy Odey is a known performance poet in Kaduna for some years. Shittu and the audience wanted some of her old poems like Murgag and Once Upon A Time.

Murgag would say we are Angels

We have wings buried within us

But like butterflies we must melt into those wings

We must die to fly ……..

-Murgag performed by Daisy Odey

Watch her applauded performances here..

Yasmin El-Rufai Foundation Library.

Did I mention heavy, windy rain fell before the book chat and just after it ended? It was fun grabbing our chairs off the lawn and running into and beside the building. Getting drizzled on made me giddy though. I also enjoyed poetry performances bytwo young women and two girls from the children creative writing workshop held earlier in the day.

I hope I have time to visit Creativity Court again before leaving Kaduna. If you’re interested a vibrant, engaging literary community in Kaduna. Every last Saturday of the month you can visit Creativity Court (address above) for meets!

Thanks for reading!

Story Behind STAB LOVE WITH FLOWER STALKS Book Cover

Its 9 days to the Anticipated Release of my debut book STAB LOVE WITH FLOWER STALKS.I’m sharing the story behind its book cover with you Gem.

During my routine Saturday blog hopping, Bookstagramer Uwadisreads interview of Thy Bui, a book cover designer inspired me to share the story behind about my STAB LOVE WITH FLOWER STALKS book cover.

STAB LOVE WITH FLOWER STALKS book cover is designed by Logan February (Author, In The Nude). It’s the 3rd and final book cover design. The 1st one was an🤭 amateur one by me. 2nd a promotional cover design by Lara @naijabookbae. I found a second image which was “cuter, with more white spaces”. Logan agreed with me, saying “a lot more can be done with text, while it still looks elegant”.

This final cover is elegant and beautiful. 🧡

As a reader I enjoy finding where the book title stems from in the book. I also love deciphering how a book plot and themes are captured in its cover. Usually when you buy a book. The cover, title and blurb are the only firsthand link to its story. So I was particular about the cover reflecting the layers of themes and experiences of characters.

Thank you to everyone who has sent me compliments about the #SLWFS book cover and those who’ve resurrected their Okadabooks app. Good News: You can buy and read the book on the Okadabooks website from 18th of June 2019 Gems!

PS: Most readers prefer using the app. But one reader in the poll said she reads on the website with her laptop.